artintelligence

January 4, 2008

Toshio Iwai talking about the visual-musical interface

Filed under: Transposition, Interactivity, Sound, Imagination — Graham Coulter-Smith

Toshio Iwai, Composition on the Table, 1998–1999.The video footage provided below consists of an extract from a major presentation given by Toshio Iwai at Ars Electronica: Simplicity the Art of Complexity, in 2006. In this segment he gives insight into the inspiration for his remarkable visual-musical interfaces such as his gallery-based interactive visual music installations, his compilation of such ideas into Electroplankton for the Nintendo DS and his invention of a new visual based musical instrument the Tenori-On, which Iwai developed in conjunction with Yamaha (link 1 [uk] link 2 [global]). (more…)

January 3, 2008

Visuosonics: Ryoichi Kurokawa’s at Ars Electronica 2006

Filed under: Transposition, Sound — Graham Coulter-Smith

Ryoichi Kurakawa stills of visual accompaniment to his concert at Ars Electronica 2006Where do we draw the distinction between vision and sound? To those of us not endowed with the gift of synaesthesia (although more, or even all, of us may have aspects of this talent at the level of unconscious cognition) that question might seem easy to answer but the distinction is becoming blurred. Note how some of the most outstanding pieces of “sculpture” at the Munster Sculpture Project 07 were actually sound pieces. I refer to Suchan Kinoshita’s Chinese Whispers installation and Susan Philipsz’s The Lost Reflection. (more…)

December 28, 2007

White Lives on Speaker: Yoshimasa Kato & Yuichi Ito

Filed under: Transposition, Sculpture, Sound, Ars Electronica 07, The Body — Graham Coulter-Smith

A volunteer from the audience being hooked up to the White Lives electroencephalographYoshimasa Kato and Yuichi Ito received honourable mention in the category interactive art for their work White Lives on Speaker, at Ars Electronica 2007. Remarkably the artists responsible for this fascinating work are 25 and 24 years old respectively. As the video (VIDEO CLIP) demonstrates the work entails hooking up a member of the audience to an electroencephalograph and feeding the subject’s brain waves into software (Max/Msp) that transposes them into audio frequency output that can power a heavy-duty loudspeaker.

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