artintelligence

June 19, 2008

Kikit VisuoSonic

Filed under: Spectacle, Interactivity, Sound, Abstraction — Graham Coulter-Smith

Kikit Visuosonic Studio Session, experimenting with new visualsI would like to draw your attention to a new website for the Kikit Visuosonic project http://www.visuosonic.org/  I was involved with KikitVisuosonic in its early stages and hence have some particular insight into its mission. Two artists are involved: Maurice Owen  an Russell Richards. As with most significant art the founding idea was quite simple, to create an interaction between sound and interactive digital visualisation. From the beginning, however, this simple notion contained within itself the longstanding goal of attaining a Gesamtkunstwerk—a total work of art. (more…)

January 4, 2008

Toshio Iwai talking about the visual-musical interface

Filed under: Transposition, Interactivity, Sound, Imagination — Graham Coulter-Smith

Toshio Iwai, Composition on the Table, 1998–1999.The video footage provided below consists of an extract from a major presentation given by Toshio Iwai at Ars Electronica: Simplicity the Art of Complexity, in 2006. In this segment he gives insight into the inspiration for his remarkable visual-musical interfaces such as his gallery-based interactive visual music installations, his compilation of such ideas into Electroplankton for the Nintendo DS and his invention of a new visual based musical instrument the Tenori-On, which Iwai developed in conjunction with Yamaha (link 1 [uk] link 2 [global]). (more…)

December 17, 2007

Attempted Interactivity: Rudolf Stingel

Filed under: Interactivity, Installation, Minimalism, Grunge, Abstraction, Art into Life, Absurdism — Graham Coulter-Smith

Rudolf Stingel, Untitled, 2003. Interactive installation at the 50th Venice Biennale, 2003.Rudolf Stingel’s, Untitled, 2003 was a massive pseudo-minimalist attempt at an interactive installation installed at the 50th Venice Biennale in 2003. The installation consisted of covering the walls of a small ante-room and a vast main gallery with aluminium foil-coated insulating material punctuated by pseudo-minimalist wall reliefs created by Stingel out of Styrofoam sheets. But, ostensibly, the principal purpose of this work is not to demonstrate the artist’s genius but rather give the viewer a go. The question can be posed, however, as to what exactly the viewer was given a go at. (more…)

December 16, 2007

Birth of the Viewer: Rivane Neuenschwander, […], 2004

Filed under: Installation, Interactivity, Art into Life — Graham Coulter-Smith

Rivane Neuenschwander, […], 2004Rivane Neuenschwander’s […], 2004, graced the Arsenale on the occasion of the 51st Venice Biennale. The work is of considerable interest due to it being one of the rare attempts when a fine artist tries to break down the barrier between the audience and the work of art. (more…)

October 14, 2007

Kaffe Matthews, Sonic Bed, Ars Electronica: Simplicity the Art of Complexity, 2006

Filed under: Interactivity, Sound, The Body — Graham Coulter-Smith

Kaffe Matthews, Sonic Bed, Ars Electronica: Simplicity the Art of Complexity, 2006As this blog was not in existence last year I will try to catch up on some of the most interesting things I saw at Ars Electronica 2006. One of the most outstanding works was Kaffe Matthews’ Sonic Bed. (more…)

Powered by WordPress

Bad Behavior has blocked 7545 access attempts in the last 7 days.